After reading The Silent Patient, I was eager to see what else Alex Michaelides had in store. The Maidens offers a good, strong female lead and, true to form, plenty of Greek mythology. In fact, I think this is where it surpasses The Silent Patient: the mythology ties more closely into the story and feels purposeful rather than ornamental.
Tell Me How It Ends may be brief, but it packs a lasting impact. Luiselli’s writing is sharp, direct, and emotionally resonant — never overblown, always purposeful. Every page matters. Structured around the forty questions children face in immigration court, the essay centers their voices while laying bare the inadequacy of a system meant to judge their futures.
Dante Alighieri, or Dante to his friends, is probably best known for The Divine Comedy, an epic poem touring Hell, Purgatory, and Heaven. I feel like everyone has read Inferno, although I never had until now. But I never hear of anyone reading the other two. Whether it’s the epic-ness of it or the translation, I suggest pressing on. Robin Kirkpatrick’s translation is readable and mostly understandable, while maintaining the lyricality of Dante’s original poem.
As the Gateways saga continues, Cold Wars by Peter David delivers a novel where the Gateways themselves take center stage. More than just a continuation of the New Frontier storyline, this is a Gateways novel in full force — lengthy, rich with tension, and surprisingly relevant.
Star Trek: S.C.E. #5: Interphase, Part Two by Dayton Ward & Kevin Dilmore delivers a strong, action-packed conclusion to the series’ first two-parter. The pacing ramps up nicely, balancing high-stakes sci-fi tension with some great nostalgic callbacks. It’s a satisfying payoff to the setup in Part One, and it solidifies the creative team’s skill at juggling character and spectacle.
Verity is one of those books that grabs you immediately and doesn’t let go. I came into it expecting a psychological thriller — and that’s definitely what I got. What I didn’t expect was the heavy romance element, but that ended up playing a much bigger role than I anticipated. In fact, it might have been a good thing I didn’t know Colleen Hoover was primarily a romance author before diving in.
This novella raises the stakes and successfully expands the series’ reach into deeper Star Trek lore. The inclusion of the Tholian perspective was a bold and fascinating choice — we so rarely get their point of view, and it added and eerie, alien texture to the story. I also appreciated the use of the Defiant here more than I did in Enterprise’s mirror-universe episodes. It felt more grounded and purposeful.
As part of my goal to read all of Michael Crichton’s works in publication order, Eaters of the Dead was next on my list. I didn’t know much going in, but quickly learned it’s a mash-up of the real-life travel writings of Ahmad ibn Fadlan and the epic of Beowulf — a blend of historical fiction and myth retelling. I also knew it was the basis for the film The 13th Warrior, though I haven’t seen it.
Going into The Humans, I thought I was in for a quirky, alien-point-of-view look at humanity. And while that’s technically what I got, it ended up being so much deeper than I expected. This book is humorous, yes — but also contemplative and quietly profound. What starts off as a clever concept slowly transforms into a moving meditation on love, identity, and what it means to be human.
This book is a fine entry in the series, but unfortunately, it suffers from placement more than content. Coming immediately after Fatal Error, the story feels a bit too familiar — another planetary emergency involving malfunctioning technology and a race against time to save the day. While that’s classic Star Trek, the similarity in structure and stakes made this novella feel repetitive rather than fresh.
